An Audience Awaits

Reflecting on our show, I believe it is important to consider the audience we received, feedback we collated, and how this data could have differed through different marketing techniques based on ACE policy.

Arts Council England divide the Audience Spectrum into 10 distinct groups:

Metroculturals, Commuterland culture buffs, Experience seekers, Dormitory dependables, Trips and treats, Home and heritage, Up our street, Facebook families, Kaleidoscope creativity, and Heydays.

Based on my knowledge of the LPAC’s usual audience (mainly College of Arts students and younger to middle aged people), I predicted that our main audience segment would fall under both:

Meteroculturals – “Prosperous, liberal, urbanites interested in a very wide cultural spectrum” (Arts Council England, 2017).

and

Experience seekers – “Highly active diverse, social and ambitious, engaging with arts on a regular basis” (Arts Council England, 2017).

These groups are both what ACE call “highly engaged” (Arts Council England, 2017) with the arts. Therefore, much of our marketing was focused on social media, particularly Facebook which these audiences use on a regular basis. The promotion of our material across Facebook was targeted to people between the ages of 18 and 40. However, what I noticed from seeing our audience on the day and the feedback we received on social media was that a large proportion of our audience were older than this, and mainly fell under the Trips and Treats segment. These are people who “Enjoy mainstream arts and popular culture influenced by children, family and friends” (Arts Council England, 2017). This is because our cast invited their families and family friends to celebrate the occasion.

Learning from this, I would have perhaps approached marketing our show slightly differently and spent more time distributing flyers and posters in town and making conversation to members of the public who fell under this category, rather than targeting younger people and students on campus and in trendy coffee shops. The feedback we received from our older audience was wonderful and showed us that our show is suitable for people of all ages, not just the young.

Works Cited:

Arts Council England (2017) Culture-based segmentation. [online] Available from http://www.artscouncil.org.uk/participating-and-attending/culture-based-segmentation [Accessed 27 May 2017].

The finishing touches

It’s just 2 weeks away from our performance now, and our print has been finalised and is being distributed!

Processed with VSCO with c1 preset

In regards to our flyers, I made the decision to have our design printed in different colours. I did this to ensure they were eye-catching and appealing to different people,  as whilst it is widely known that red reaches the back of the retina first (hence why I chose it for our poster design), different people are drawn to different colours based on their personality. This is in-keeping with the theme of individuality and expression running through our show, reflecting the idea that different people view the world very differently. I believe these colours all complement each other and stand out both on their own and in a set, and I hope to test this theory when we distribute them in town and around the university campus.

Our posters are beginning to pop up around the city; I have made sure that they are put in places relative to our target audience to ensure maximum reach and that this correlates with ticket sales – there’s no point putting them in places our audience will not visit! A prime location for our type of audience is independent coffee shops, and many owners have been very keen to put up posters and flyers as they are driven to help promote emerging companies/the arts!